Cytomic the glue vs uad series#

because when I listen closelyВ to the Waves SSL bus compressor, I honestly do feel like I hear a difference from the others. EDIT: I wanted to add a bit more to my previous comment- I really wanted to disagree with you on this Bitflipper.

Sure there will always be new features added but until a new fidelity is invented the only thing really becoming moreВ creative are GUI's.

I believe we are coming to a rock bottom in world of Digital recording and there's not much room to expand (sonically speaking). Its a great question really because when you think about it, It all about the code. But for some reason, popular opinion generally prefers The Glue in polls. While official SSL emulations and The Glue each have features the other lacks, they both cover the same basic territory. You are right about the GUIs, it's like a flashback to my stereo separates in the seventies, in a good way.ДЄll in all, I don't use them frequently, but am glad they are there when I do.Д«itflipper schwa My question is: If you like to use S-type tools in your channels, do you prefer Waves, Prochannel, or something else? If so, why? My question is: can anyone really tell the difference in a blind listening test? I can't distinguish, for example, between the ProChannel compressor and Cytomic The Glue without peeking. Occasionally I use the reverb, but not often. Of the three EQs, it is usually the Focussing EQ that gets used. The FET compressor can often work well if I am not getting what I want from the PC76, which isn't often. They tend to come into play when I am struggling to get the right sound with my 'go to' plugs. рџЉ I find I use them less frequently now. You can tell which projects I did around the time I purchased it, as they are littered with the Softube stuff. I picked it up on sale, so it's worth looking out for. The read some postive comments about the focusing equailzer, that made it appealto me in particular, the TSAR has been praised as well I'm kind of glad they have iLok, because I can't justify the 300 dollars for them at the mo, other things have to come first. Sets a Distressor for parallel drum compressionДЄdds stereo width to synth bass, and demonstrates using EQ pre and post-processД¬ontrols the kick drum using SSL Channel compression and demonstrates how he hears the compression before the low-resolution meter displays what is happening.Man I love the Soft Tube GUIs. Sets up his mix bus processing at the beginning of the mix Uses his 16 Channel Modified Quad 8 console for out of the box summingДЄddresses phase and polarity issues on multi-micвЂ™d sources such as bass DI versus bass amp microphones and the drum kitДЄddresses the commonly overlooked phase relationship between kick and snareДiscusses the importance of elements pushing the speakers versus pulling them Has his assistant, Danny Pellegrini prepare a session for mixing

In the fullВ 3 hour tutorial, learn how Jacquire:

Cytomic the glue vs uad series#

This is one of several workflow quirks which Jacquire uses in this free extract from J acquire King Mixing Lifeboats, the 6th of the series in which different mixers all approach the same project and document their choices through the mix process. In spite of the UAD Distressor plug-in having a mix knob, when setting up parallel compression on a drum bus Jacquire King chooses to use a duplicate path and to insert the Distressor on a bus set to 100% wet.